ARTURIA CS80 V v.1.2
The CS-80V is the reproduction of the legendary Yamaha CS-80 which is considered by many as "the ultimate polyphonic" synthesizer. The time has come to rediscover a sound that has extensively contributed to the history of music. With the CS-80V, the richness of the tone turns digital but the inspiring design remains the same.
The CS-80V offers all the features of the original synth, plus a new generation of innovative features, taking the original design to a new level: with the modulation matrix, you will multiply the possibilities of this sonic and performance orientated beast; with the Multi mode, you will create a new generation of sounds; with the additional arpeggiator and effects, just unleash your creativity.
But is the sound of the CS-80V really close to the original?
It is up to you to decide, but after painstaking efforts and tests, we would tend to say YES. The CS-80V is based on TAE, the proprietary technology developed by Arturia's sound engineers, and already successfully used in the Moog Modular V. TAE stands for True Analog Emulation and brings superior quality of sound when reproducing analog circuits. In the case of the CS-80V, we honestly doubt you could really hear any difference.
The CS-80V offers compatibility with all major interface standards and formats which guarantees a perfect integration into any studio environment. And with the ability to work at 32 bits/96kHz, you can now begin to make music on your computer the way you would with a real hardware synthesizer.
In 1976, Yamaha introduced the CS-80, a synthesizer based on the same circuits as the GX1. The price tag ($6,900) put it out of the reach of most musicians, and the weight (83 kgs with stand) made it sometimes hard to use on stage. But the qualities of this synthesizer, considered Japans first great synthesizer, made it immediately famous in the Music Industry.
The CS-80 was popularised in the late 70's and early 80's by a number of pop groups, including Electric Light Orchestra, Toto, Paul McCartney and Wings. Other artists and bands like Vangelis, Bon Jovi, Jean-Michel Jarre, Geoffrey Down, Stevie Wonder and some others turned the CS-80 into a real myth.
THE ORIGINAL MYTH:
A huge synth: 2 oscillators, 4 filters, 2 LFOs, 4 envelopes "spread out" in two independent synthesis lines. Each line comes with an oscillator (Square, Saw Tooth, Sine wave), a great VCF filter with independent hi pass and low pass resonant filters, a low frequency oscillator for the modulation of the square signal, two envelopes for the filters and the output VCA.
A unique performance synth: sub-oscillator for vibrato controlled by the After touch, full management of the Expression and Sustain pedals, ribbon controller, polyphonic aftertouch.
A chorus and a powerful ring modulator
22 preset sounds
AND THE EVOLUTION OF THE SPECIES
A Multi Mode allowing to assign a different sound to each polyphonic voice. 4 different keyboard sections for "multitimbrality", with the possibility to direct each voice (4 polyphonic modes, and 3 unison modes from 2 to 8 voices).
A Modulation Matrix to rebuild all circuits: a choice of 12
sources and 38 destinations for 10 additional modulations.
Even more routings and synthesis possibilities: a new triangle waveform, a new 24dB filter, expanded possibilities for the LFO, possibility to synchronise Oscillator 1 on oscillator 2 and the possibility to redirect Osc 2 to the filters of the first synthesis line.
More than 400 presets made by a selection of the most famous sound designers. Ergonomic and easy handling of the presets, ability to import/export any preset from any platform to any other.
Some additional effects: an arpeggiator and a stereo delay.
http://stealth.to/?id=nrc32z5wuagwectp8nsb5sale91rer
pass:
33edcvfr44
--------------------------------------------------------------------------------------------
CAKEWALK Rapture VSTi.DXi.RTAS v.1.0
Synthesis IgnitedCombining power, elegance, control, and unbeatable sounds, Rapture is one of the most exciting synthesizers to hit the market in years. Capable of producing rich, hypnotic, and rhythmic basses, leads, and pads, Rapture is perfect for performing and designing the modern synthesized sounds igniting today’s pop, dance, and electronic music.
Rapture's non-aliasing resampling engine technology sets a new standard for sound quality, and produces pristine, high-resolution rendering and playback. Its advanced modulation capabilities include over 40 Step Generators per patch, providing an intuitive interface for generating rhythmic sequences.
With its beautifully designed interface and extensive sound manipulation capabilities, Rapture is capable of producing the rich, hypnotic, and rhythmic basses, leads, and pads destined to put the spirit back into your music.
http://stealth.to/?id=z92h1ayt7fyvbiv8gr2gfl3lhgv90l
pass:
33edcvfr44
---------------------------------------------------------------------------------
Korg Legacy Collection Digital EditionPart of the Korg Legacy Collection Digital Edition, the whole package includes: M1 and Wavestation instrument plugins and the MDE-X collection of effect plugins.
The sound engine of the Korg M1 is now available as an eight-part multi-timbral virtual instrument, and has been brought up to date with many new features. Topping that list includes a powerful resonant filter and dual Insert effects.
In addition to the PCM and Program/Combination data of the M1/M1EX/T1, all of the data from the 19 optional M1 PCM/Program cards is included, along with new drum samples and entirely new Programs, plus all additional PCM data and Programs/Combinations of the optional TSD-01 through 05 disks - providing more than 3,100 preset sounds.
Features:
Maximum Polyphony: 256 notes (depending on the CPU of host computer).
Number of Parts: 8.
More than 3,100 preset sounds and 400 user presets.
Over 960 PCM waveforms.
34 effect types.
Original M1 and T-series data can be imported via .SYX file
http://uploading.com/files/SNCZJEJD/korg_M1.exe.html
---------------------------------------------------------------------------------------
GRM TOOLS ST Native Bundle v1.5 VST
GRM Tools ST is a bundle of four plug-ins that provide superb
tools for sound enhancement and design. Use this software with
any VST-compatible host application.
where WAVES are your Daily workhorses this pack
plus GRM CLASSIC are Ur More Exciting And Experimental joints just Plain GREAT
STUFF!!!!!!!!!!!!!!!!!!!!!
This Bundle includes:
Contrast
Equalize
FreqWarp
FreqShift
http://rapidshare.com/files/53179119/G-TOOLS-ST.rar
pass = scizzorhandz
-----------------------------------------------------------------------------------------
IZOTOPE OZONE v3.07 DX + VST + RTAS (PLUS TIPS and XTRA PRESETS ETC....)
Ozone consists of six modules: paragraphic equaliser, mastering reverb, multi-band dynamics, multi-band harmonic enhancer, multi-band stereo imaging, and loudness maximiser. By default, audio is passed through the modules in this order, although the sequence can be changed if required. Individual modules can also be bypassed or soloed. The three multi-band modules each operate over four separate, editable bands. To help reduce rounding errors, all Ozone's internal calculations are done at 64-bit.
Like T-Racks, Ozone attempts to digitally model some of the characteristics of analogue EQ, compression and harmonic enhancement in order to provide the 'warmth' and 'musical' processing often associated with high-quality analogue equipment. Ozone also includes a range of graphs and meters, which give a clear indication of what the software is doing to your music. For those new to the mastering process, this visual feedback can be a very useful addition to the information arriving at your ears!
We're too modest to say Ozone is great. But we guess we don't mind if other people say it.
In all seriousness, our sincere thanks to the online sites, press and most of all the thousands of Ozone users who help spread the word to others.
Musician Tech Central
"From the start, we were struck by the excellence and transparency of the sound produced by all of the modules. While the sound quality is undoubtedly due, at least in part, to the 64-bit processing within each module, it's also a credit to the overall design, including the multiband processing and the analog modeling."
Full Review: Musician's Tech Central - iZotope Ozone 2 Review
http://www.musicianstechcentral.com/ozon2rev.html
DigiFreq
"At such a low price, you might be thinking that Ozone is more of a toy than a serious tool. Think again. Ozone can go head-to-head with any of the other higher-priced products on the market. Its sound quality is superb, and its features provide the flexibility needed to make a final mix sound magical..."
Full Review: Ozone 1.01 Review at Scott R. Garrigus' DigiFreq
http://www.digifreq.com/digifreq/reviewdetails.asp?ProdReviewID=13
DOWNLOAD
http://rapidshare.com/files/51700991/scizzorhandz-IZ-OZO_3.rar
